I have always been someone who was never satisfied with her tone. No matter how good was the sound I created, there was at least one thing I would not fancy. That is why I became an explorer. I searched for various devices constantly in order to find the complementary sound. I turned into a hungry wolf scavenging for food. I would purchase every new model that brands came up with and play with them for hours. Somewhere on that way I came across reverb pedals. I tried the first one and was amazed by the versatility it could offer. My haunt for perfect sounds became less of a haunt and more of a pleasure. I would turn on Pink Floyd and start my journey of finding the best reverb pedal. If you want to do the same thing, keep on reading, because this article will give you all the basic information you will need.
Table of Contents
- 1 Top 10 Best Reverb Pedals
- 1.1 Wampler Ethereal Delay & Reverb Guitar Pedal
- 1.2 Electro Harmonix Cathedral Stereo Reverb
- 1.3 Catalinbread Topanga Spring Reverb Effect Pedal
- 1.4 EarthQuaker Devices Afterneath Reverberation Pedal
- 1.5 TC Electronic T2 Reverb Pedal with TonePrint
- 1.6 Electro-Harmonix HOLY GRAIL NANO Reverb Pedal
- 1.7 Boss RV-6 Digital Reverb
- 1.8 MOOER REECHO PRO TWIN Pedal
- 1.9 Accel “Classic Reverbs” Stereo Reverb Pedal
- 1.10 BEHRINGER REVERB MACHINE RV600
- 2 Conclusion
Top 10 Best Reverb Pedals
|1||Wampler Ethereal Delay & Reverb Guitar Pedal||(5 / 5)||Check on Amazon|
|2||Electro Harmonix Cathedral Stereo Reverb||(5 / 5)||Check on Amazon|
|4||Catalinbread Topanga Spring Reverb Effect Pedal||(4.9 / 5)||Check on Amazon|
|3||EarthQuaker Devices Afterneath Reverberation Pedal||(4.9 / 5)||Check on Amazon|
|5||TC Electronic T2 Reverb Pedal with TonePrint||(4.8 / 5)||Check on Amazon|
|6||Electro-Harmonix HOLY GRAIL NANO Reverb Pedal||(4.7 / 5)||Check on Amazon|
|7||Boss RV-6 Digital Reverb||(4.7 / 5)||Check on Amazon|
|8||MOOER REECHO PRO TWIN Pedal||(4.8 / 5)||Check on Amazon|
|9||Accel "Classic Reverbs" Stereo Reverb Pedal||(4.7 / 5)||Check on Amazon|
|10||BEHRINGER REVERB MACHINE RV600||(4.8 / 5)||Check on Amazon|
Types of Reverb
Let’s start by defining the reverb itself. Every building or place you walk into has a certain feedback of sound. This means that when you give off tones, sound waves travel around the place, get reflected on the surface and get back to you. This creates a certain audio effect called reverb. It is made possible by the nature of surroundings – their ability to reflect or suck the tones. Reverb is characterized by repeating notes that decay after a period of time. Oftentimes, this effect is confused with echo, but they are two different things. The main factor that distinguishes these two is the speed of feedback. Echo occurs 50 to 100 ms after the initial sound, while reverberation happens in less than 50ms. Reverb can be achieved by placing microphones in a specific way (used by Pink Floyd in early years) or using dedicated instruments such as pedals. When it comes to the sound, different types of reverbs have different outcomes. Now, I will discuss some of them in order to help you understand what kind of sound suits your music the best.
If you have ever been in a concert hall, you know what this one means. It strives to replicate the reflecting sound of the latter, which tends to have long reverberation. The device with hall reverb will do the same. By elongating the reflections of your sound signal, hall reverb adds thickness and texture to your music and is great for adding three-dimensional character to it.
As with any other effects, you should not get overboard with this one either. If you overuse it, your sound might get muddy and distinct, which, I am sure, all of us are trying to avoid. However, when used correctly, hall reverb can alter your game and take your music to a whole new level. Achieving this is made easier with modern technologies, that add depth to your tone without depriving it of clarity. In most cases, the devices producing hall reverb come with modulation or other sound-tweaking features making your signal even richer.
When it comes to technical specifications, room reverb is pretty much the same as hall reverb. The former is a more modest version characterized by shorter and faster reverberations. To grasp the sonic difference between the two, try comparing the sound of chatter in a room to the one in a church or a huge space. You will notice that the feedback in the latter is more noticeable and distinctive. Because of these features, room reverb is considered to be more realistic. It creates the illusion that the music played in various environments was actually recorded in a room. In other words, if hall reverb intensifies the sense of space, the room reverb decreases it.
This effect can be utilized in many ways. It will add some precision and proximity to your tones. If you find silver lining, it will assist you through many situations. When used in a wrong way, it can make your sound too small or suppressed and create reverbs that do not really suit your signals. Just experiment with room reverb with your effects pedal until you find the tone tailored to your preferences.
Plate Reverb is where things get a bit more complicated. They try to recreate the sound generated with rudimentary techniques in earlier days. In ‘60s and ‘70s, when this effect was still taking its first steps, musicians experimented with various things to achieve desired results. One of the methods of creating the reverb was using reverb plates. Basically, they would take a plate (with specific design), equip it with all the needed features (like contact mics) and transmit the sound into it. Highly sensitive mics would discover the vibrations and send them to preamps. Different contact mics were used for left and right channels, creating a pseudo stereo output. It is a simple technology that is quite hard to explain with words, but I think it is more important to understand what they do in terms of sound.
Plates generate a thick tone somewhat similar to hall reverb, but they are more two-dimensional. Clean, bright sounds they generate work really well with vocals, but can be used with any instrument as well. Pedals, which offer plate reverb try to recreate those vintage tones and deliver it in the form of a stomp box. All in all, this is a type of reverb that will stand out in any mix due to its strong character.
Spring Reverb works on the same principle as plate reverb, since in both cases, sound is transferred into specific devices, but instead of mics incorporated in plates, spring reverb uses the reverberation of spring coils. It has a characteristic, unique sound, which resembles a ringing tone. With the ability to feedback in themselves, spring reverbs provide a room for wide sonic capabilities.
This effect can be used with individual instruments, such as guitar, in order to display its full potential. It might get lost in the mix or apply unwanted resonances to the sound. But spring reverb will add a nice touch of warmth and depth to pianos or organs.
Nowadays, you do not really have to choose between these effects. The majority of reverb pedals offer the combination of each of them. With a twist of the knob or the tweak of the toggle, you can jump from one style to another adding even more uniqueness to your music. When you first get your pedal, go on and experiment with all the modes. Play as much as you can, because most of the time, the things we expected the least suit us the best. This might be the case with music as well. Nothing is easier than exploring in this day and age, so why would you miss the opportunity to perfect your sound? Be it a spring, hall, room, plate or any other reverb, the way they sound depends on how you use them.
In conclusion, reverb pedals can be your ticket into the world of legendary music. They are extremely flexible and versatile, allowing you to create multidimensional music. There are reverb pedals for everyone, featuring the things that will satisfy even the pickiest players (a.k.a. me). Hopefully, I have provided all the information that will be useful for choosing the best reverb pedals. If so, you have a great adventure ahead of you, my friend. Do not be afraid to risk and let those creative juices flow. Use your reverb pedals wisely and trust me, you will be able to achieve any desired results. After all, your music knows the best what it needs.